I built this with 2n3904/6. I thought I was buying film capacitors but these turn out to be MLCC. I would be interested to hear opinions on how this sounds (sound sample attached) compared to the film caps / BC546 or original transistors. Sounds like an 808 to me!
808_2n3904_multilayer_ceramics.mp3
Description:
increase tone, then increase decay, then decrease tone. velocity cv pattern is sent to accent.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Thu Jan 15, 2015 8:45 am Post subject:
Thanks for the feedback! Yep - the sample is from the board I etched from the eagle files. I am debugging the snare right now - had some mistakes in the schematic. Then rimshot/clave and then hats.
Thanks for the feedback! Yep - the sample is from the board I etched from the eagle files. I am debugging the snare right now - had some mistakes in the schematic. Then rimshot/clave and then hats.
Yeah!
Nice!
I've added another pot between accent in and + 12, just like in the stripboard version.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Tue Jan 27, 2015 8:19 am Post subject:
Snaper,
I rerouted the snare but haven't built the new version yet - soon. I also built the rimshot/clave but only the clave is working. Would you want to build it and help me debug? I checked the schematic a lot so I might just have a bad part or connection.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Wed Jan 28, 2015 8:16 am Post subject:
Hihats work well. Here is a sample of the bass/snare/clave/hihats together. I am moving everything toward 16mm pots for panel mount too. I have to reroute a few signals because there is only room for one trace in front of the pot holes.
Hihats work well. Here is a sample of the bass/snare/clave/hihats together. I am moving everything toward 16mm pots for panel mount too. I have to reroute a few signals because there is only room for one trace in front of the pot holes.
Awesome!
Did you updated all of the layouts?
What about the rim?
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Tue Aug 18, 2015 8:19 am Post subject:
Aaaand I found a bridge in the etched traces. Cleaned it up, and I hear rimshots! The rimshot is pretty quiet relative to the clave. Interesting, the value for R324 (connecting the upper rimshot circuit to the switch) is not labeled in the schematic. I might try to reduce that resistance and bring up the rimshot level to about where the clave is.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Mon May 02, 2016 12:27 pm Post subject:
@Snaper, All my 808 stuff on github is tested and working now. I am redoing the rimshot/clave but the previous version worked - just redoing for better parts and thicker traces. That' all voices now except for maraca!
I also have a MIDI interface that will generate the right kind of triggers and "accent" signals. I only found a practical 8-way DAC, so you would need two of these to run all 11 voices:
Maybe I could fit a 12-DAC version onto one board - will probably try at some point.
Now I need to figure out the rack situation. I'm thinking I will build a 15V section of eurorack and build some kind of back frame to mount the MIDI interface, noise, diginoise and output PCBs.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Tue May 03, 2016 9:44 am Post subject:
I'm deciding whether to try a 12-channel MIDI-CV for this or just build another 8-channel one like the tested/working one above. This 12xDAC looks like it would work, but I still need some kind of 12-bit register to generate the triggers. Actually I guess I could just use two of these and only use the max value for the trigger outs. Then I would need THREE quad opamps to scale the accent signals and two MC14504B hex level shifters for the triggers. Kind of a monster...
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Sat May 07, 2016 8:05 pm Post subject:
Better idea: The outputs of the DAC for accent signals should range about 2-5V. So I could use a 1V comparator on each accent signal to generate the triggers. Six quad opamps on the board
Joined: Mar 20, 2012 Posts: 2179 Location: Chicago
Audio files: 16
Posted: Sat May 07, 2016 9:14 pm Post subject:
jbeuckm wrote:
Better idea: The outputs of the DAC for accent signals should range about 2-5V. So I could use a 1V comparator on each accent signal to generate the triggers. Six quad opamps on the board
I'm coming back to this after a while so maybe I've forgotten specifically what you're talking about, but the original spec for the accent voltage was 4 -> 14V.
Joined: Nov 30, 2008 Posts: 165 Location: Stockholm
Audio files: 9
Posted: Sun May 08, 2016 11:33 am Post subject:
@elmegil Yes, I should explain. The DAC operates at 5V max. So the accent pulse has to be scaled x2.8 up to 4-14V. For each DAC output, I'll use an opamp to scale the accent and another opamp as a comparator to generate a trigger pulse. For the min (4V) accent, the pulse will hit about 1.4V. So a comparator with threshold around 1V (maybe .7V) should produce a hi pulse at its output - the trigger. This should be slightly faster than generating the trigger separately in software.
That's two opamps for each of 12 channels. I would be interested in any ideas for using fewer parts. I try to keep PCBs single sided and within the free Eagle footprint. One space-saving idea I had is to use the same voltage divider (two resistors) to feed all the comparators.
Joined: Mar 20, 2012 Posts: 2179 Location: Chicago
Audio files: 16
Posted: Sun May 08, 2016 12:26 pm Post subject:
Multiplex your output.
Set the voltage, and tell a sample & hold (I like the LF358) to grab the voltage, then move to the next channel. One DAC, one scaling buffer, 12 small 8 pin chips and some assorted support components.
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