Joined: Jun 01, 2004 Posts: 517 Location: Eugene, Oregon, USA
Audio files: 4
G2 patch files: 44
Posted: Tue Jun 22, 2004 12:44 pm Post subject:
Shepard tone (my first G2 patch)
A Shepard tone is an audio illusion that continously rises or falls in pitch. For more details on on Shepard tones, see http://www.mtsu.edu/~jnm2b/Shepard.html.
The key to doing this on a synth is the creation of phase-locked sawtooth and triangle LFO waves, with the phases of the various waves spread evenly across 360 degrees. I used LFO C to generate the phase-locked sawtooths, and then used rectifers and level convertors to convert these to triangle waves. Static shapers are used to round the triangle slightly, so that partials enter the mix smoothly.
Joined: Jun 01, 2004 Posts: 517 Location: Eugene, Oregon, USA
Audio files: 4
G2 patch files: 44
Posted: Tue Jun 22, 2004 3:16 pm Post subject:
I actually remember reading something once about a composer who used a falling Shepard tone in a piece - something about the nightmares of the bombardier on the Enola Gay - but it still seems to me to be of [i]very[/i] limited practical value :')
Well, I'm a bit wacked out on medication now. It seems the challenge for making it useful would be to make this polyphonic - whatever that would mean in this context. At least something you can play - from a keyboard fr'instance.
Nice work. Like Howard, I have tried this in the past (with csound/softsynths etc) but without the same degree of success. I think YMO used it (to nice effect) on an album in the early 80's.
On the subject, while too trivial for it's own topic, here is a barberpole flanger. It uses nothing more than the FreqShifter with delayed feedback. I have to admit that I tend to overuse the FreqShifter, I just love the 60's analogue sound it gives to everything.
The Barberpole Flanger is great. I've never heard this one. It's quite like the Shepard Tone - it just keeps going up and up. It's such a simple patch. Here's a screen scrape and an mp3 file.
It's nice to have a little chat every once in awhile with a smart ass like you
Who's the smart ass?
I do not know why this quote ended up on the wrong thread but I was talking to Elektro80, my Viking friend _________________ homepage - blog - forum - youtube
Quote:
Don't die with your music still in you - Wayne Dyer
Here is a Shepard Tone generated on a Kyma system. There are a bunch of adjustments I could fiddle with to make it a closer match to Jamos' patch, but it's interesting as it is for comparison purposes.
I think you're right, Jamos, about the aliasing. The MP3 encoding is having a detrimental effect on these examples.
No, that's a quote, Kirk explaining Spocks odd behaviour in the Star Trek movie with the whales.
Actually, I didn't try LSD till the late 70's. I don't know what people see in it
Joined: Feb 05, 2003 Posts: 3702 Location: Nazareth, Pennsylvania, USA
Audio files: 9
G2 patch files: 1
Posted: Tue Jul 06, 2004 2:15 pm Post subject:
mosc wrote:
The Barberpole Flanger is great. I've never heard this one. It's quite like the Shepard Tone - it just keeps going up and up. It's such a simple patch. Here's a screen scrape and an mp3 file.
Unfortunately, my G2 is in the studio two floors below this computer. Could you post the actual patch? That would make it a lot easier to transport to the G2.
BTW, a guy I knew at Ohio State University made an EM piece from a Shepard Tone patch he did on a Moog modular. He generated the pitch control voltage with a battery, resistor and charging capacior. He started the patch and the tape recorder and went away for an hour. (Long time constant!)
Cheers, _________________ Bill Fox------------------|\-------------
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Joined: Feb 05, 2003 Posts: 3702 Location: Nazareth, Pennsylvania, USA
Audio files: 9
G2 patch files: 1
Posted: Wed Jul 07, 2004 6:12 pm Post subject:
mosc wrote:
The barber pole patch is posted, just look more carefully...
Thanks! I must have scrolled by too fast... _________________ Bill Fox------------------|\-------------
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Thought I had better update the flange patch, as V1.2 no longer has mix out. The new version simply uses a 2-1 switch for manual direction control. If you require 'voltage controlled' direction then use a x-fade instead. I also put a more musically relevant example in variation 2 (for those not so much into noise).
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